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Outside broadcasting engineer

Outside broadcasting engineer

Creative and design

Level 7 - Professional Occupation

Provides picture and sound coverage of an event.

Reference: OCC0342

Status: assignment_turned_inApproved occupation

Average (median) salary: £37,275 per year

SOC 2020 code: 5249 Electrical and electronic trades n.e.c.

SOC 2020 sub unit groups:

  • 2124/01 Broadcast engineers (professional)
  • 3417/05 Sound engineers

Technical Education Products

ST0342:

Outside broadcasting engineer (integrated degree)

(Level 7)

Approved for delivery

Employers involved in creating the standard:

BBC, Sky, Arena TV, CTV, Telegenic, NEP Vision, Televideo, Cloudbass, OBS TV, Andy James

Summary

An Outside Broadcast (OB) Engineer works on location to provide picture and sound coverage of an event. Typically this work can include live relays of sporting, music or other cultural events but may also involve recordings of dramas or music captured on location away from a studio. OBs are commissioned to provide content for TV, web, live cinema and corporate events from venues such as sports stadia, theatres, concert halls - or locations with little or no direct facilities to help the production such a farms, factories, historic buildings or churches. An OB crew may be based in an OB truck - a television studio gallery on wheels equipped with the same facilities needed in a fixed site installation - or they may be required to assemble a production gallery within a venue. Knowledge of safe working practices, a multi-skilled approach to the job and an enquiring mind that is able to problem-solve are all essential attributes of the OB Engineer. Whilst this is a technical role, there is a high degree of creativity required to work closely with a production team to deliver content right for the target audience and in keeping with the constraints of the location.

Employers involved in creating the standard:

BBC, Sky, Arena TV, CTV, Telegenic, NEP Vision, Televideo, Cloudbass, OBS TV, Andy James

Typical job titles include:

audio engineer
cable riggers
cameramen
unit managers
vision engineer

Keywords:

Broadcasting
Cameras
Degree
Lighting
Media Management
Networking Technologies
Radio Transmission Systems
Sound
Tv Production
Vision

Knowledge, skills and behaviours (KSBs)

K1: Venue acoustics, broadcast audio formats, noise regulations, loudness standards, microphone and cable types, audio desk controls and signal processing.
K2: Video paths, colour-matching, vision mixer systems, vision processing, fibre optic systems and signals.
K3: Video and audio recording systems, integration of edit choices, timecode, codecs, wrappers, file formats, processing, graphics and audio packaging
K4: Site management, reporting and communication. Personal Protective Equipment requirements. Location and event related constraints on the OB.
K5: Electrical supply types, generator or venue power connection, load management, equipment power supplies, weather effects on power.
K6: Types of camera mountings, lenses and panning heads. Camera systems, formats and accessories. Awareness of camera use and shot composition.
K7: Different lighting luminaires, fixings and mounts, LED and projector screens. Lighting levels, lighting problems and their solutions.
K8: Video and audio signals, levels & compression. Radio waves, antennas and the dB scale. Digital transmission systems. Delays from digital encoding. Frequency Management and regulation.
K9: Addressing protocols, compression algorithms for video / audio transport, external network storage systems and bandwidth bottlenecks.

S1: Set up microphones, find technical faults, use talkback kits, edit sound.
S2: Rig monitors, set up video equipment, soldering and find technical faults.
S3: Set up and test recording systems with associated cabling requirements. Make and repair cable connectors.
S4: Rig cables, work at heights, work on a stage and the safety constraints of working with a crowd. Regulations and risk assessment.
S5: Distribution and management of power supplies on location.
S6: Cable bashing, camera set-up, camera use (zoom, focus, shot match), camera talkback.
S7: Check picture exposure and colour vision, interpretation of mood and look required. Follow programme scripts and lighting cues.
S8: Carry out site surveys and resulting documentation, rig and repair RF cables and use web browser interfaces and terminal server programs.
S9: Configuring equipment to work with an existing network, using analysis tools to fault find and adding external storage systems.

B1: Show empathy to job roles in a media production environment.
B2: Embracing the opportunities a location provides rather than fighting the constraints and challenges encountered.
B3: Choosing the most appropriate language for a given situation – this encompasses talkback etiquette.
B4: Thinking ahead, planning and asking questions to ensure the right level of preparedness of location.
B5: Show sensitivity to the pressures of budget, time and location.

Occupational Progression

This occupational progression map shows technical occupations that have transferable knowledge and skills.

In this map, the focused occupation is highlighted in yellow. The arrows indicate where transferable knowledge and skills exist between two occupations. This map shows some of the strongest progression links between the focused occupation and other occupations.

It is anticipated that individuals would be required to undertake further learning or training to progress to and from occupations. To find out more about an occupation featured in the progression map, including the learning options available, click the occupation.

Progression decisions have been reached by comparing the knowledge and skills statements between occupational standards, combined with individualised learner movement data.

Technical Occupations

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Level 5

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Level 5

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Level 6

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Level 7

Creative and design