Level 3 -
Uphold a high standard of hygiene and technical application for productions/performances across a range of artists, periods and cultures.
Reference: OCC0918
Status:
SOC 2020 sub unit groups:
Royal Shakespeare Company, LADA/CC Skills, Royal Exchange, Shakespeare's Globe, National Theatre, Royal Opera House, English National Opera and Coliseum, Amanda Gaffey (freelance practitioner), Jean Carlos de Blas (freelance practitioner)
This occupation is found in a broad range of creative and dynamic industries for example theatre, TV, film, fashion, commercials and print media (editorial). The broad purpose of the occupation is to uphold the highest standards of hygiene and technical application to achieve the required look meeting agreed standards for productions/performances across a range of artists, periods and cultures whilst maintaining health & safety requirements. This may involve the safe application and styling of wigs, hair, make-up and prosthetic special effects to performers. Make–up and hair are key elements in the overall design of live performance, films or television productions, creating a look for the characters in relation to social class, time periods, and any other elements required to create the desired effect or illusion.
This will involve using a variety of techniques such as:
prosthetics work including; material research, life casting, mould making, the use of foam latexes and silicones, surface rendering and application to make and apply bald caps, body parts, wounds and blemishes. This will also include the application of stage bloods for injuries.
Hair, Wigs, Make-up and Prosthetics Technicians work with Designers and Directors to discuss the look required for each role for example, artists/performers may need to appear from a different age group or historical period; the hair, make-up and wigs may be contemporary and straightforward or require more creative approaches. They prepare and use design notes, reference sheets and photographs that will ensure the artist/performer will have the same hair or make-up every time. They support preparatory stages, rehearsals and actual performances/production and work closely with artists/performers to get them ready and undertake quick changes throughout the performance/production. For prosthetics, which are part of the physical special effects area, they will need to use reliable sources to research prosthetic effects that are authentic and appropriate, create prosthetics in line with production requirements, script/breakdown and budget, liaise and work in collaboration with relevant people to ensure that all prosthetic effects are safe at all times, monitor people using prosthetics at all times so as to ensure there are no allergic reactions, excessive changes in body temperature or effects on their ability to function with ease, and remove prosthetics in line with safety requirements.
They work within budget and time constraints to achieve project requirements.. In their daily work, an employee in this occupation interacts with other members of their team and their supervisors to meet the project objectives. They meet with designers to interpret the design requirements. They develop a good working relationship with performers/artists/clients. They work with other departments e.g. art, production, technical, costume to achieve the performance/production requirements. They may work alongside photographers, film crew and other people involved in the event.. An employee in this occupation will be responsible for working within health, safety and environmental policies, procedures and regulations to meet design specification for wigs, hair and make-up including prosthetics for special effects. They are required to choose and use the appropriate application techniques and approach to achieve the required outcomes by transforming artists/performers into the required look from their natural state.
They engage with artists/performers in a professional manner, demonstrating sensitivity in dealing with them when in their care and keep any personal information confidential and observing the set etiquette required.
Hair, Wigs, Make-up and Prosthetics Technicians work with other team members to achieve the objectives of the project, including timescales and managing resources in their control which may include their tools and equipment, budget and stock. They are trusted to work unsupervised under the brief of their supervisor. They will be required to work during evenings and weekends during performance/production periods..
Royal Shakespeare Company, LADA/CC Skills, Royal Exchange, Shakespeare's Globe, National Theatre, Royal Opera House, English National Opera and Coliseum, Amanda Gaffey (freelance practitioner), Jean Carlos de Blas (freelance practitioner)
Interpret and research the production requirements identifying the appropriate make-up/hair/wigs/facial/prosthetics to be created
Create and design a plan to include detailed design notes, reference sheets and photographs for individual performers for the make-up/hair/wigs/facial/prosthetics for a performance/production in line with the genre, historical period and culture to meet the design requirements.
Assess, select and apply body and facial make-up using a variety of techniques including colour assessment and covering the correct periods, cultures and genres to meet the design and health and safety requirements
Safely set-up, use, clean, maintain and store tools and equipment used to undertake the application of body and facial make-up
Monitor applied make-up to ensure there are no allergic reactions, removing make-up in line with health & safety requirements.
Prepare hair for wig or postiche making, including assessing, matching and blending hair, pre- curling and preparing it for knotting or storage.
Make, alter and repair wigs, hair pieces, switches, weft, facial hair including taking head/face wraps, head block preparation, foundation making, whipping, knotting, weaving, sewing using a variety of techniques to meet design requirements covering all periods and cultures
Safely cut, colour, style, set, dress-out hair, wigs, hair pieces and facial hair using a variety of techniques, covering all periods, cultures and genres to meet design requirements
Create prosthetics including bald caps, body parts, wounds and blemishes, using of a variety of materials to meet design requirements. Creation involves material research, life casting, mould making, the use of foam latexes and silicones and surface rendering.
Safely apply prosthetics and monitor their usage to ensure there are no allergic reactions, excessive changes in body temperature or effects on their ability to function. Remove prosthetics in line with health and safety requirements.
Safely apply stage bloods and use a variety of modelling products to create and fit injuries to meet design requirements.
Manage resources to support the execution of design requirements e.g. stock, budget, tools and equipment
Manage personal workload to meet deadlines in line with the production schedules.